Innovation: The double burden of art 

Innovation of the series: art key for any form of art: Life + expansion of consciousness = art or old information + new information = evolution 

Series name: Art Formula 

Working years of the series from: 1988

Year of work: 1989 

Signature: Liedtke 

Material: Acrylic paint, canvas on stretcher frame 

Dimensions: 34 cm x 42 cm 

Society, the media and the politicians are in principle innocent of this, since one can assume that they are not aware of their actions and are therefore not consciously controlled by them. There is also no collusion or tacit agreement in the interest of any secret groups to hinder the mental development of the population in order to exploit them better or to keep them incapable of thinking, to misinform them mentally so that they can be manipulated and used as an electoral mass in almost any direction with the help of the media. Parliamentary democracy was the most important step towards a better world with direct democracy until the development of the internet today. An attempt by the parliamentarians or the parties (as in dictatorial systems) to block the IQ of the population through fear and access to the new innovative works of art through false information so that they maintain their legitimation of rule for 1000 years and want to prevent a direct democracy is not recognisable. However, it is not possible to explain why the knowledge of what art is and that, despite this, 100,000s of art and copyright lawsuits throughout the world in all the arts do not provide empirical legal and art-historical proof of this for all works of art.

How do those involved in the established art market react to the publication of the art formula? 

Art critic Kenny Schächter explains in the Arte film (from 2017 directed by Grit Lederer) about the international art dealer with 14 galleries; Larry Gagosian. Kenny Schächter's film quote: 

"In the art world it is still like the mafia, when the omerta is pronounced there 

 "the secrecy" like in the mafia, there are rules that no one talks about. The art world turns over 60 billion dollars a year. Probably the biggest business with the least information about how the mechanisms work. Larry Gagosian the art dealer in the film: "If people don't understand that, they're not part of this world." (Omerta is the Mafia's code of honour. Mafia proverb: "He who is deaf, blind and dumb lives a hundred years in peace.") The reaction of the protagonists of the art market is that they are not only violating human rights and laws as well as contradicting the educational mission of museums, but that they are also thinking too short-sightedly and acting against their own profit expectations as can be seen in the comparison with the growing book market through the internet. The initiated art dealers see the art market as their own sealed-off monopool business and believe they have to protect the resulting profits through secrecy from an easy-to-understand art formula. This is selfish and hinders the development of creativity in the population. In addition, it is counterproductive and wrong for the development of the art market, because with a global opening of the art market to the population through the art formula, the market for artworks, artists and creative products will increase a hundredfold due to a higher demand as well as the prices for Objective Artworks (innovative real work of art history) and Subjective Artworks (decoration). The markets will separate into Objective and Subjective Art but both will grow faster. In order to open the way to art for museums, art lovers and the general public, the Fundacion Liedtke has developed an art certificate called "Artinvest" which, based on the innovations in the work, clarifies whether the work in question is a genuine work of art (objective art) or decoration (subjective art). (see also: www.freebocks.gratis).

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